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本文节选自《On Writing Well》电子版：
一一02一一UnltyYoulearntoWritebyWriting.It”satruism，butwhatmakesitatruismisthatit”strue，TheonlywaytolearntoWriteistoforceyourselftoproducea_certainnumberofWordsonaregularbasis.IfyouwenttoWorkforanewspaperthatfrequiredyoutoWritetwWwoorthreearticlesevefyday，youWouldbeabetterWriterafterSixmonths，Youwouldn”tnecessarilybewritingWel1;yourstylemightStillbefullofclutterandclicheks.ButyouWouldbeexercisingyourpowersofputtingtheEnglishlanguageonpaper，gainingconfidenceandidentifyingthemostcommonProblems.Al11writingisUltimatelyaquestionofsolvingaprfroblen.Itmaybeaproblemofwheretoobtainthefactsorhowtoorganizethematerial.，Itmaybeaproblemofappfroachorattitude，toneorStyleWhateverjiis，ithastobeconfrontedandSolved.，Sometimesyouwilldespairoffindingthefightsolution一ofanysolution.You”1]11think，“本f工livetobeninetyI”11nevergetoutofthismess.”IT”veoftenthoughtitmyself.，Butwhen工finallydoSolvetheproblemit”ssbecause[ITmlikeasurgeonfremovinghis500thappendix;I”vebeentherebefore.Unityisthea
on writing well 翻译
nchorofgoodwriting.So，first，getyourUnitiesStraight._Unityhotonlykeepsthereaderfromstragglingoffinalldirections;itsatisfiesyourfreadersSubconsciousneedfororderandfreassures_themthatallisWellatthehelm.Thereforechoosefromamongthemanyvariablesandsticktoyourchoice，Onechoiceisunityofpfronoun，AreyougoingtoWriteinthefirstperSson，aSsaparticipant，orinthethirdperson，asanobSserver?0Ofreveninthesecondperson，thatdarlingofsportswritershunguponHemingway?(“Youknewthishadtobethemostspine-tinglingclashofgiantsyou”deverSeenfromapressboxSeat，andyouweren”TtjustsomegreenkidwhoWasStillwetbehindtheears.”)Unityoftenseisanotherchoice，Mostpeoplewritemainlyinthepasttense(“TwentuptoBostontheotherday”)，butsomepeoplewriteagreeablyinthepresent(“T”nmSittinginthediningcaroftheYankeeLimitedandwe”repullingintoBoston”).，Whatisnotagreeableisto_switchbackandforth.，IT”nmnotsayingyoucan”tusemorethanonetense;thewholepurposeoftenseslsto_enableaWritertodealwithtimeinitsvariousgradations，fromthepast
on writing well 二手
tothehypotheticalfuture(“WhenITtelephonedmymotherfromtheBostonStation，工realizedthatifIThadwrittentotel1lherTwouldbecomingshewouldhavewaitedforme”).，ButyoumustchoosethetenseinwhichyouarePr7Ppc7Da77ygoingto_addressthereader，hnomatterhowmanyglancesyoumaytakebackwardorforwardalongtheway.Anotherchoiceisunityofmood.，Youmightwanttotalktothefreaderinthecasualvoicethat7peWerForerhasStrenuouslyrefined，OryoumightwanttoapproachthefreaderWitha_certainformalitytodescribeaseriouseventortopresentasetofimportantfacts，Bothtonesareacceptable.Infact，aprtoneisacceptable，Butdon”tmixtwoorthree.SuchfatalmixturesarecommoninWritersWhophaven”tlearnedcontrol.，Travelwritingisaconspicuousexample.“Mywife，Ann，andTIhadalwayswantedtovisitHongKong,”thewriterbegins，hisbloodastirwithfreminiscence，“andonedaylastSpringwefoundourselveslookingatanairlineposterandTIsaid，“Let”sgo!”ThekidsweregrownUp,，?”hecontinues，andheproceedstodescribeingenialdetailhow_heandhiswifestoppedoffinHawaiiandhadsucha
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